How Art Films Differ from Mainstream Cinema
The current generation of moviegoers, who adore films, is aware of the theatre as a recreational and entertainment medium. They like film-related conversation and discussion, so if you find yourself in the middle of one, stop using terms like “art film” or “parallel cinema.” You find yourself in a prolonged argument and having to spend more time elaborating on your points!
Remember, films get meant to get enjoyed. It’s not the fault of the generation who lived during this parallel phase narrative complexity in art films vs. straightforward plots in mainstream cinema; even they were never fully aware of the purpose of this film. You have probably heard about the fashion shows that take place throughout the globe, but you’ve also observed that the items on display in the name of fashion are things that no rational person would ever wear. Not a single feature of these garments was recognizable or comfortable for the wearer.
Furthermore, whatever artistic license a filmmaker chooses for character development in art films versus blockbuster hits, the final product must be recognizable and believable in the context of the film.
Business Enterprise
The typical goal of mainstream cinema production is financial gain for the producing studio, like Warner Brothers.
Large budget
In the hopes of earning a considerable return, people invest money in mainstream cinema. It is identical to gambling and placing a horse race wager at the racetrack. Experimental Art House films often have a small budget and provide little profit.
Assortments
Since there are no longer any theatres in the city, mainstream cinema’s commercial appeal compared to art films’ experimental nature get screened in various theatres in the suburbs. Unlike multiplex theatres, art house films are usually only available on rare occasions and get screened at a few tiny theatres in locations like Northbridge and Fremantle.
Run
Movies at mainstream theatres are screened for anywhere from a few nights to a month, depending on the projected profit or loss of each picture. Art House films are screened for a short period, though, and the handful that get widespread acclaim could only get screened seldom or annually that is, once every six to twelve months.
